Renowned screenwriter and director Sumit Purohit, one of the writers of the popular web series “Scam 1992: The Harshad Mehta Story”, says the only way to break the mess in the storytelling is to tell a story with conviction, because every tale has an audience.
Purohit, one of 10 selected entrants from this country for the BAFTA Breakthrough India talent initiative, told IANS: “The success of Scam 1992 only shows if you present something new, a personal story where the audience can interact with the characters in the story, it works. Honestly, “Scam 1992” was a story, with no supposedly popular actor as a hero and it was more of a small story. It had an indie vibe. In fact, the subject – business, the stock market – is not at all current! “
He added: “It was also an individual’s personal journey, said with conviction and without compromise, and it was all possible thanks to the vision (of director) Hansal (Mehta). He never compromises on the history.”
Does he feel that the entertainment world is finding a better structure and maybe that is why young writers are finding more aspirations?
“You see, we keep saying that writers have been gaining more and more recognition over the past five years, but I would say the role of a writer in making a good movie has always been there ever since. The first step in making a film is to write a story, followed by a screenplay from it, “he replied.
He added: “This is why when we look at the history of our Indian cinema, the most important and innovative films are those which are told without fear, breaking the clutter and stepping away from the trend. see, the story doesn’t remember the box office collection but the story of the movie. Even the audience also remembers the story. So the writing is the backbone and it takes center stage . “
What is the way to break the clutter? Sumit replied: “There is no formula to break the clutter and that is the formula, I guess. Over the past few years every movie that we thought was ‘safe’ to invest in has failed. On the contrary. engaging, personal and local stories connect with audiences. “
While there’s no denying that a good script plays an important role, executing a creative idea in a movie also involves trade.
Is there a way to understand this aspect from a producer’s point of view and therefore go through a formula to recover the money invested in a good story?
“Ultimately all movies make money. It’s about where you want to collect the money. Is it the Indian box office, trips to film festivals or streaming platforms ? ” he said.
“But understanding the ever-changing audience taste is also important. I’m not saying the money part isn’t important, but even a star-focused film can only catch the eye in the theater on the first weekend. So for aspiring writers, if it’s important to find that balance, a story fails if it’s not told with conviction. I think if there is a formula, it’s to tell a story. with conviction and without compromise because every story has an audience, ”Sumit signed.