Fantasia Fest review summary for 2021 horror films Hellbender, the Righteous and more


The 25th edition of the Fantasia International Film Festival wraps up this week and to mark the occasion of our coverage, ComicBook.com features quick reviews for a ton of horror movies we’ve seen at this year’s event. . Going from the really depraved and disgusting (the Taiwanese zombie movie Sadness) to the most calm and contemplative (the religious drama in black and white The Just), we’ve done our best to reach the highlights and watch as many titles as possible over the three weeks that Fantasia has aired this year. Here are eleven mini reviews for some of the festival’s horror offerings!

Agnes

Although maybe never what the public expects, Agnes makes it a very rich, moving, surprising and often funny feature film. Those who hope to find the next cheap scare at the The last exorcism or something bombastic like The Exorcism of Emily Rose won’t find it here, but Agnes has more to offer as a meditation and exercise in patience than any other film that dashes into this type of narrative. It won’t be for everyone, but he will have something to say for everyone who follows him.

Rating: 4 out of 5

Read our full review by clicking here.

Coming home in the dark

homecoming in the dark fantasia review

James Ashcroft’s New Zealand thriller is set as Funny games on wheels as we see the destructive path of its main psychopaths continuing their twisted game against the victims of the suburbs. Basically, it’s such a clever movie that you wonder why no one has done it before. Its material is reinforced by formidable cinematography, focusing on the isolation of the areas and the nightlife, but also the lack of music elevates it even more. Coming home in the dark has a very dark worldview, going on a deeply nihilistic journey, and maybe he’s right to feel what he’s doing.

Rating: 3.5 out of 5

Previous Next

Master of Hell

Fantasia Hellbender live review

The ultimate collaboration of the writer / director / star trio of the Adams family, Master of Hell tells the story of a young woman realizing that her family members are witches. Wicked imagery abounds in this one, with shots and sequences that resemble living album covers, drawing on the already formidable original music heard by the group in context of the film. A gnarly, understated effect of a touch emerging from the skin is perhaps its most interesting visual trick, but there are some CG hokey moments that die in the finale. Principal Zelda Adams does a terrific job, even surpassing her own family members who play opposite.

Rating: 3.5 out of 5

Previous Next

Poseidon Hotel

Reviews hotel poseidon fantasia

The film by Belgian director Stef Lernous may be too structured to be fully a “Lynchian” experience, but this is what I saw closest to Twin Peaks: the return in terms of balancing absurd comedy, drama and unexpected horror. Watch out for hypochondriacs, introverts and germaphobes, this film’s bold and inventive production design and cinematography makes this a shockingly disgusting viewing experience. This movie builds and constructs a final act that’s just as likely to cause nausea as it is entertaining, but it never does anything interesting or weird.

Rating: 4 out of 5

Previous Next

The last thing Mary saw

the last thing mary saw fantasia review

With period, popular horror, there is always the risk that a story will be almost alien to a mobile phone savvy audience, but spooky is creepy and it doesn’t matter if your characters know what texting or cobblestone roads are. , and The last thing Mary saw is scary. As The witch before that, screenwriter / director Edoardo Vitaletti’s new film feels grounded in a specific era and exudes atmosphere at every turn. Yes The last thing Mary saw was presented across the country as its cousin A24, it would already be on the radar of the masses, but that it can exist below and that it can surprise the public will only lend to its powerful and tense accumulation.

Rating: 3.5 out of 5

Read our full review by clicking here

Previous Next

Way of the Martyrs

Fantasia review from martrs lane movie

Writer / director Ruth Platt brings a new voice to the ‘Grief as Horror’ subgenre that has been given new life in recent years, producing a ghost story that leaves you guessing while maintaining its creepy air throughout. long. There’s a lot of fear in this one, so there may be more fear than actual fear, but its tender ending more than makes up for what is mostly a fairly docile and traditional effort as a horror play. Young actress Kiera Thompson has a lot going on as the film’s protagonist and does a great job, especially when paired with another new face, Sienna Sayer, who plays the mysterious specter at her window.

Note: 3 out of 5

Previous Next

3rd day

the third day review of the film fantasia

This Argentinian version of the vampire myth brings unique new life to the mythology, but is too engrossed in its structural ideas to be satisfactory overall. There is a flair to it that resembles the Hammer movies of yesteryear, evoking an atmosphere of mystery throughout. Director Daniel De la Vega focuses on specific images to elevate the storytelling and plant clues as to the direction the narrative is taking and create a visual language that is never boring. The third day is an ambitious swing that always feels like an entire room, even though its creature design is huge, the beat never goes satisfactorily.

Rating: 2 out of 5

Previous Next

The Just

the fair film fantasy film festival
(Photo: Vortex Media)

The Just has so much going into his character dynamics and his shocking third act that creates layers in his storytelling. The tragedy of this film is in large part what makes The Just so amazing are the qualities that make it almost toxic to mainstream audiences: it’s black and white, largely a metaphor, mostly just actors talking, and there are no effects CGI in the foreground. Those who want to make the trip will come out surprised. It doesn’t matter if you want to approach this from the surface level of the narrative or if you want to dig into the religious sub-texts of it or if you want to think about the implications of O’Brien’s role, there will be something there. thing that is gratifying for any viewer.

Rating: 5 out of 5

Read our full review by clicking here

Previous Next

Sadness

sadness_32588

Sadness won’t climb the mountain of the best zombie movies, but it will find an audience with gorehound dogs eager to test their mettle and see if their stomachs can handle the truly depraved and horrific effects that lie. It’s a film that feels like it’s still competing with the French extreme movement and the torture films of the 2000s, with a lot of gore (a lot of raw) and not much else. Those with sensitive stomachs shouldn’t even think about making the trip.

Rating: 2.5 out of 5

Read our full review by clicking here.

Previous Next

We all go to the World’s Fair

WAS-ALL-GO-TO-THE-WORLD-FAIR

Newcomer Anna Cobb brings an energy and pathos to their first big movie role that makes them look like a pro. While the uninterrupted nine-minute opening kick and some of the spooky beats that follow can set you up for something akin to Host, We all go to the World’s Fair is more in line with a meditative experience, basking in the blurry lines of what is real and what is not for the online terminal. Isolation is one of the many universal themes that World exhibition offers, but its silent reflection on the self-imposed loneliness of people seeking internet connections makes it almost timeless.

Rating: 3.5 out of 5

Previous Next

Wonderful paradise

wonderful paradise movie review

Like Aronofsky’s absurd Japanese cousin Mother !, wonderful paradise accumulates every moment and you will hardly ever be able to guess what is going on in any given scene. For some, this unique take on its structure can be rewarding, and sometimes it is, but the fact that its track record is non-existent can also be incredibly frustrating. There’s what feels like freeform jazz happening here as it switches between comedy, drama, horror, musical, and a mix of all of that at one point. At the end I felt like Development stoppedMichael Bluth opens a bag with “Dead Pigeon, Do Not Eat” on it that I found in the fridge; i don’t know what i expected.

Rating: 2 out of 5

previous


Source link

Previous 9 box office flops from the 2010s that deserve a second chance
Next The first 18 months of the Alameda Comedy Club, a COVID whirlwind

No Comment

Leave a reply

Your email address will not be published. Required fields are marked *